During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
米歇尔·布(bù )朗(📭)([累(🥥)得(👆)要命])自(🕹)编自(zì )导的新片[看我们如(rú )何(🙂)(hé(🐘) )跳舞](Voyez comme on danse，暂(🚛)译)在巴黎(lí )开(kāi )拍。该片卡司包(🌐)括夏(xià(👮) )洛(🔸)特(tè )·兰普林、嘉莲·维(wéi )雅(📝)([贝利叶(👄)一(📽)家])、卡(kǎ )洛(luò )儿·布盖([不要来(🤷)打(dǎ )扰(🌁)(rǎ(🛤)o )我(👍)])、让-保罗·卢弗(fú )([领(lǐng )奖台(🍥)(tái )])等(dě(😀)ng )。影(🤭)片(😆)情节目前处(chù )于保密阶段，巴黎为(wé(🖍)i )其(🗿)主(🛴)要拍摄(👿)地，预(yù )计(jì )10月28日杀青。
“假如(rú(🤰) )音(🚸)(yī(🖌)n )乐是(shì(👐) )爱情的食粮，请继续(xù )演(yǎn )奏吧(🈚)！”以(🚋)配乐著(👇)(zhe )称并为莎士比亚爱(ài )情(qíng )喜剧(😝)《爱的徒(🆙)劳(🏖)》及(jí )《爱的胜利》（即《无事(shì )生(shē(🗾)ng )非》）注(⚡)入(👈)无限活(huó )力的超人气导演克(kè(🔀) )里(lǐ )斯(🦐)托(😨)弗(⭐)•拉斯康贝(bèi )（Christopher Luscombe）携创作团(👞)队重返(🚃)(fǎ(🛹)n )埃(🍘)(āi )文河(hé )畔(pàn )斯特拉福德的皇家(jiā(🆒) )莎(🦒)士(🔕)比亚剧(🕉)团，执导(dǎo )莎翁另一部滑稽又(📌)(yò(🏸)u )心(🛣)(xīn )酸的(🎷)单相思爱情故(gù )事(shì )：
東(dōng )京(🔐)國(🤒)際同志(🚝)影展參展(zhǎn )作(zuò )品
４K/8Kの高解像(🙏)度によ(🥉)る(😢)大型映像をはじめ、CMやPV、テレ(🔇)ビ番(fā(🎗)n )組(📊)(zǔ )、さらにはwebクリエイティヴ(🕸)・デザ(🤳)イ(🧀)ン(🧡)やグラフィック方面でも活(🛑)(huó )躍す(🔮)る(🕦)IMAGICAイ(🌭)メージワークスと、『ALWAYS三丁目の夕(🙉)日(👎)(rì(🖇) )』シリ(🏽)ーズや『永遠(yuǎn )の０』など(🆙)の(👻)大(🛋)ヒット(🍹)作で知られる映(yìng )像(xiàng )制作集(⏫)団(🕸)ROBOTがタッ(🐅)グを組んで、子どものころに(🥅)見(jiàn )た(♎)夢(🏕)を失いながら大人になり、多(✅)忙(máng )を(🕑)極(🗿)めて久しい現代(dài )人(rén )の心に(😟)、かつ(💭)て(🤢)の(💖)あの“想(xiǎng )い”を蘇らせるSFファ(🛃)ンタジ(♒)ー(🈵)！
印(📘)度(dù )每(měi )年有超过二万宗针(zhēn )对(duì(🛄) )女(🍉)性(🏖)的暴力(🥞)罪案，平(píng )均每(měi )二(èr )十二分(🎒)钟(🕓)就(📌)有一名(🌕)(míng )女性被强暴，每六(liù )小(xiǎo )时就(🆔)有(🧗)一名妇(📗)女因(yīn )家(jiā )庭暴力丧命。年轻(qī(🚲)ng )的(de )基层(👜)(cé(🍞)ng )女警索妮与上司卡帕(pà )纳在德(🐦)里一同(🔻)接(🥌)手调(diào )查不同的女性暴力(lì )事(🍭)(shì )件，在(🛳)办(💞)案(🏍)过程中(zhōng )往(wǎng )往遭受到了重(🖕)大阻力(🦈)，无(🐟)(wú(🚯) )日(rì )无之的罪案令她脾(pí )气暴躁，做(🌆)事(👈)方(🗻)式(shì )偏(🍐)(piān )离常规，被裁定在(zài )执(zhí )勤(🚽)中(🐉)行(🌮)为不当(🙍)，而私(sī )人生(shēng )活(huó )也影响到了(🚆)她的职(💙)(zhí(📹) )业表现，与丈夫已(yǐ )经(jīng )彼此疏(😑)离，却要(🎚)被(🐦)(bèi )迫(pò )面对他突然的到访(fǎng )。印(🌔)度(dù )电(❔)影(🆔)少见的写实题材(cái )，以一场一镜(🗝)营造出(🎸)(chū(🐳) )真(🧢)实迫力，将社会(huì )低(dī )下层女性受到(🏈)压(🎠)迫(🕢)(pò )的(de )问题表露无遗。
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
